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Keyboard Shortcuts in Photoshop
In this Photoshop Lesson, we’ll learn about ‘Keyboard Shortcuts in Photoshop‘ and default keyboard shortcuts in photoshop. Keyboard Shortcuts command is found under Edit menu in Photoshop.
My name is Lalit Adhikari and we are at LTY. Let’s begin!
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Keyboard Shortcuts

By using Keyboard Shortcuts command under Edit menu in Photoshop, we can view, edit or create shortcuts in Photoshop. The Keyboard Shortcuts dialog box is shown below.

Keyboard Shortcuts and Menus dialog box serves as a shortcut editor in Photoshop. It includes all the commands that support shortcuts. Some of these shortcut supporting commands are not addressed in the default shortcut set.
In addition to keyboard shortcuts, we have access to various commands using context-sensitive menus which are relevant to the active tool, selection or panel. To access context-sensitive menu, right-click in the document window or panel.
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How to define new keyboard shortcuts in Photoshop
To define a new keyboard shortcut in Photoshop, follow the steps below:
Step 1
Open Keyboard Shortcuts & Menus dialog box. It can be done by anyone of the following:
- Go to Edit > Keyboard Shortcuts…
- Go to Window > Workspace > Keyboard Shortcuts & Menus

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Step 2
In the Keyboard Shortcuts & Menus dialog box, choose a set of shortcuts from the Set menu.

Step 3
We can choose a shortcut type from the Shortcut For menu. It has four options, namely, Application Menus, Panel Menus, Tools, Taskspaces.

- Application Menus: Lets you customize keyboard shortcuts for items in the menu bar of Photoshop.
- Panel Menus: Lets you customize keyboard shortcuts for items in panel menus of Photoshop.
- Tools: Lets you customize keyboard shortcuts for tools in the toolbox of Photoshop.
- Taskspaces: Lets you customize keyboard shortcuts for the ‘Content-Aware Fill‘ and Select and Mask workspaces.
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Step 4
Now, in the Shortcut column, select the shortcut you want to modify.

Step 5
Type in a new shortcut. If the newly assigned shortcut is already associated to another command or tool in the shortcut set, an alert appears.

Click Accept to assign the new shortcut to the command or tool and remove the previously assigned shortcut.

After we reassign a shortcut, we can either Undo changes or Accept changes and go to conflict to assign new shortcut to the command or tool in conflict.
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Step 6
After we’ve changed the shortcut, we can save the changed shortcut either on the same selected Shortcut Set or as a new Shortcut Set.
- To save all the changes to the current set of keyboard shortcuts, click on the ‘Save all changes to the current set of shortcuts’ button.

- To create a new Shortcut Set based on current set of shortcuts, click on the ‘Create a new set based on the current set of shortcuts’ button.

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Clear shortcuts from a command or tool
In the Keyboard Shortcuts dialog box, select the command or tool name whose shortcut you need to delete. Then click on the Delete Shortcut.

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Delete a set of shortcuts
To delete a Set of Shortcut, first select the shortcut set you want to delete.

Then click on ‘Delete the current set of shortcuts’.

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View a list of current shortcuts
To view a list of current shortcuts, we can export them as an HTML file which can be displayed or printed with a web browser. For this we have to open Keyboard Shortcuts and Menus dialog box. Choose the shortcut type and then click Summarize.

It’ll open a Save As dialog box, choose the appropriate location and name for the file. Then click Save.

File will be saved as an HTML file at the location chosen.

The HTML file will open in a web browser.

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Photoshop Shortcuts
Here are lists of few shortcuts as per popularity, function, selection tools etc.
Popular Shortcuts
Result | Windows | macOS |
---|---|---|
Free Transform | Ctrl + T | Command + T |
Toggle between painting and erasing with the same brush | Hold down ~ | Hold down ~ |
Deselect selections | Ctrl + D | Command + D |
Undo last command | Ctrl + Z | Command + Z |
Decrease Brush Size | [ | [ |
Increase Brush Size | ] | ] |
Decrease Brush Hardness | { | { |
Increase Brush Hardness | } | } |
Rotate the brush tip by 1 degree | Left Arrow (anti-clockwise), Right Arrow (clockwise) | Left Arrow (anti-clockwise), Right Arrow (clockwise) |
Rotate the brush tip by 15 degrees | Shift + Left Arrow (anti-clockwise), Shift + Right Arrow (clockwise) | Shift + Left Arrow (anti-clockwise), Shift + Right Arrow (clockwise) |
Default Foreground/ Background colors | D | D |
Switch Foreground/ Background colors | X | X |
Fit layer(s) to screen | Alt + click layer | Option + click layer |
New layer via copy | Ctrl + J | Command + J |
New layer via cut | Shift + Ctrl + J | Shift + Command + J |
Add to a selection | Hold Shift + drag with any selection tool | Hold Shift + drag with any selection tool |
Delete brush or swatch | Alt + click on brush or swatch | Option + click on brush or swatch |
Toggle auto-select checkbox in the option bar with Move Tool selected | Hold Ctrl + click | Hold Command + click |
Close all open documents other than the current document | Ctrl + Alt + P | Command + Option + P |
Cancel any modal dialog window (including the Start Workspace) | Esc | Escape |
Selects the first edit field of the toolbar | Enter | Return |
Navigate between fields | Tab | Tab |
Navigate between fields in the opposite direction | Shift + Tab | Shift + Tab |
Change Cancel to Reset | Hold Alt | Hold Option |
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Uses of Function Keys in Photoshop
Result | Windows | macOS |
---|---|---|
Start Help | F1 | Help key |
Undo/Redo | F1 | |
Cut | F2 | F2 |
Copy | F3 | F3 |
Paste | F4 | F4 |
Show/ Hide Brush Panel | F5 | F5 |
Show/ Hide Color Panel | F6 | F6 |
Show/ Hide Layers Panel | F7 | F7 |
Show/ Hide Info Panel | F8 | F8 |
Show/ Hide Actions Panel | F9 | Option + F9 |
Revert | F12 | F12 |
Fill | Shift + F5 | Shift + F5 |
Feather Selection | Shift + F6 | Shift + F6 |
Inverse Selection | Shift + F7 | Shift + F7 |
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Selection Tools
Result | Windows | macOS |
---|---|---|
Cycle through tools with the same shortcut key | Hold Shift + press shortcut key (if Use Shift Key for Tool Switch preference is selected) | Hold Shift + press shortcut key (if Use Shift Key for Tool Switch preference is selected) |
Cycle through hidden tools | Hold Alt + click on tool (except Add Anchor Point, Delete Anchor Point and Convert Point Tools) | Hold Option + press shortcut key (if Use Shift Key for Tool Switch preference is selected) |
Move Tool, Artboard Tool | V | V |
Rectangular Marquee Tool, Elliptical Marquee Tool | M | M |
Lasso Tool, Polygonal Lasso Tool, Magnetic Lasso Tool | L | L |
Object Selection Tool, Quick Selection Tool, Magic Wand Tool | W | W |
Crop Tool, Perspective Crop Tool, Slice Tool, Slice Select Tool | C | C |
Eyedropper Tool, 3D Material Eyedropper Tool (ADD), Color Sampler Tool, Ruler Tool, Note Tool, Count Tool | I | I |
Frame Tool | K | K |
Spot Healing Brush Tool, Healing Brush Tool, Patch Tool, Red Eye Tool, Content-Aware Move Tool | J | J |
Brush Tool, Pencil Tool, Color Replacement tool, Mixer Brush Tool | B | B |
Clone Stamp Tool, Pattern Stamp Tool | S | S |
History Brush Tool, Art History Brush Tool | Y | Y |
Eraser Tool, Background Eraser Tool, Magic Eraser Tool | E | E |
Gradient Tool, Paint Bucket Tool, 3D Material Drop Tool | G | G |
Dodge Tool, Burn Tool, Sponge Tool | O | O |
Pen Tool, Freeform Pen Tool, Curvature Pen Tool | P | P |
Horizontal Type Tool, Vertical Type Tool, Horizontal Type Mask Tool, Vertical Type Mask Tool | T | T |
Path Selection Tool, Direct Selection Tool | A | A |
Rectangle Tool, Ellipse Tool, Polygon Tool, Line Tool, Custom Shape Tool | U | U |
Hand Tool | H | H |
Rotate View Tool | R | R |
Zoom Tool | Z | Z |
Toggle Standard/ Quick Mask modes | Q | Q |
Artboard Tool | V | V |
Toggle Preserve Transparency | / (forward slash) | / (forward slash) |
Previous Brush | , | , |
Next Brush | . | . |
First Brush | < | < |
Last Brush | > | > |
Holding down a key temporarily activates a tool. Letting go of the key returns to the previous tool. In a row with multiple tools, repeatedly press the same shortcut to toggle through the group.
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View images
These are the shortcuts used while viewing an image.
Result | Windows | macOS |
---|---|---|
Cycle through open documents | Ctrl + Tab | Command + Tab |
Switch to previous document | Shift + Ctrl + Tab | Shift + Command + Tab |
Close a file in Photoshop and open Bridge | Shift + Ctrl + W | Shift + Command + W |
Toggle between Standard mode and Quick Mask mode | Q | Q |
Toggle (forward) between Standard Screen mode, Full screen mode with menu bar and Full screen mode | F | F |
Toggle (backward) between Standard Screen mode, Full screen mode with menu bar and Full screen mode | Shift + F | Shift + F |
Toggle (forward) canvas color | Spacebar + F (or right-click canvas background and select color) | Spacebar + F (or right-click canvas background and select color) |
Toggle (backward) canvas color | Spacebar + Shift + F | Spacebar + Shift + F |
Fit image in window | Ctrl + 0 (zero) or Double-click hand tool | Command + 0 (zero) or Double-click hand tool |
Magnify 100% | Ctrl + 1 or Double-click Zoom tool | Command + 1 or Double-click Zoom tool |
Switch to Hand tool (when not in text-edit mode) | Hold Spacebar | Hold Spacebar |
Simultaneously pan multiple documents with Hand tool | Hold Shift and drag | Hold Shift and drag |
Switch to Zoom In tool | Ctrl + Spacebar | Command + Spacebar |
Switch to Zoom Out tool | Alt + Spacebar | Option + Spacebar |
Move Zoom marquee while dragging with the Zoom tool | Spacebar and drag | Spacebar and drag |
Apply zoom percentage and keep zoom percentage box active | Shift + Enter in Navigation Panel zoom percentage box | Shift + Return in Navigation Panel zoom percentage box |
Zoom in on specified area of an image | Ctrl and drag over preview in Navigation Panel | Command and drag over preview in Navigation Panel |
Temporarily zoom into an image | Hold down H and then click in the image and hold down the mouse button | Hold down H and then click in the image and hold down the mouse button |
Scroll image with Hand tool | Spacebar and drag or drag view area box in Navigation panel | Spacebar and drag or drag view area box in Navigation panel |
Scroll up or down 1 screen | Page Up or Page Down | Page Up or Page Down |
Scroll up or down 10 units | Shift + Page Up or Shift + Page Down | Shift + Page Up or Shift + Page Down |
Move view to upper-left corner or lower-right corner | Home or End | Home or End |
Toggle layer mask on/ off (layer mask must be selected) | \ (backslash) | \ (backslash) |
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Shortcuts with Puppet Warp
This is the list of shortcuts that don’t appear in menu commands or tool tips.
Result | Windows | macOS |
---|---|---|
Use the black-and-white adjustment | Shift + Ctrl + Alt + B | Shift + Command + Option + B |
Select all pins | Ctrl + A | Command + A |
Deselect all pins | Ctrl + D | Command + D |
Select multiple pins | Hold Shift then click on any pin | Hold Shift then click on any pin |
Hide pins | Hold down the H key to hide the pins and release to bring back the pins | Hold down the H key to hide the pins and release to bring back the pins |
Delete pins | Hold Alt and click on pin | Hold Option and click on pin |
Reveal a circle that allows you to rotate the pin | Hold Alt then go near the pin but not over the pin | Hold Option then go near the pin but not over the pin |
Cancel distortions | Esc | Esc |
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Shortcuts with Select and Mask
This is the list of shortcuts that don’t appear in menu commands or tool tips.
Result | Windows | macOS |
---|---|---|
Select and Mask | Ctrl + Alt + R | Command + Option + R |
Target the layer | Ctrl + 2 | Command + 2 |
Target the mask | Ctrl + \ | \ |
Disable the mask temporarily | Hold Shift and click on mask | Hold Shift and click on mask |
Add a layer mask icon to automatically hide the content of the layer (or active selection) | Hold Alt and click on mask icon | Hold Option and click on mask icon |
Invert a layer mask | Ctrl + I | Command + I |
Related Topics:
- Blur, Sharpen & Smudge Tool in Photoshop
- Burn, Dodge & Sponge Tool in Photoshop
- How to use Gradient Tool in Photoshop
Shortcuts with Filter Gallery
This is the list of shortcuts that don’t appear in menu commands or tool tips.
Results | Windows | macOS |
---|---|---|
Apply new filter on top of selected filter | Hold Alt and click on filter | Hold Option and click on filter |
Change Cancel button to default | Hold Ctrl + click | Hold Command + click |
Step Forward | Ctrl + Shift + Z | Command + Shift + Z |
Step Backward | Ctrl + Alt + Z | Command + Option + Z |
Clear brushed areas | C | |
Invert the brush mask | I | |
Toggle between OK/ Cancel buttons to Revert/ Apply | Alt | Option |
Toggle the blur view visibility | P | |
Take a snapshot, saving a copy of blurred image in the layers panel, layer stack | ` | |
Toggle from Add or Subtract blur brushes | “`” Grave key | |
Invert the selection or command to hide the selection | Shift + Command + I | |
Toggle the quick mask rubylith overlay display if there is a selection | Shift + Q | |
OK – Applies the current effect and dismisses the dialog box | Enter | Return |
Close dialog box without saving | Esc | Esc |
Shortcut for panning | Hold Spacebar | Hold Spacebar |
Toggle view mode | Tab | |
Zooming in/ out | Ctrl + + and Ctrl + – | Command + + and Command + – |
Zoom in and out without changing current tool | Hold Ctrl + Spacebar together and drag | Hold Command + Spacebar together and drag |
Crosshair brush | Caps lock | Caps lock |
Related Topics:
- Photoshop Gold Text Effect
- 5 Type of Masks in Photoshop
- Step by Step guide for Retro 3D Movie Effect in Photoshop
- How to Add Falling Snow in Photoshop
- How to Create Rain Effect in Photoshop
Convert to Profile in Photoshop
In this Photoshop Lesson, we’ll learn about ‘Convert to Profile in Photoshop‘. Convert to Profile command is found under Edit menu in Photoshop. I would recommend reading the following lessons before this one:
My name is Lalit Adhikari and we are at LTY. Let’s begin!
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Convert to Profile

The convert to profile command does change the numbers in the document and it will also tag the ICC profile that we’ve selected into the document.

So, assign profile commands and convert to profile commands have some similarities. But the important thing to understand here is that the assign profile command never changes the RGB or CMYK numbers. It simply changes the definition of those numbers.
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Convert Image Color Profile to another Color Profile
- Open the image or document in photoshop.
- Go to Edit > Convert To Profile
- Under Destination Space, choose the color profile required for your work. Photoshop will automatically convert as well as tag the document with this new profile.
- Under Conversion Options, choose the Color Management Engine, a rendering Intent, Black Point Compensation, Dither option (if available)
- To flatten all the layers of the document onto a single layer upon conversion, select Flatten image.
- Preview option will show the live changes, if checked.
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For Multichannel, Device Link or Abstract Color Profiles
- Click Advanced button, following additional ICC Profiles are made available under Destination Space:
- Multichannel: Profiles that support more than four color channels. These are useful when printing with more than four inks.
- Device Link: Profiles that transform from one device color space to another, without using an intermediate color space in the process. These are useful when specific mappings of device values (like 100% black) are required.
- Abstract: Profiles that enable custom image effects. Abstract profiles can be LAB/XYZ values for both input and output values which enables generation of a custom LUT to achieve the desired special effect.
- Note: Gray, RGB, LAB and CMYK Color Profiles are grouped by category in Advanced view. They are combined on the Profile menu in Basic view.
- To preview the effects of the conversion in the document, select Preview.
Related Topics:
- Auto-Blend Layers in Photoshop
- Auto-Align layers in Photoshop
- Transform command in Photoshop
- Perspective Warp in Photoshop
- Puppet Warp in Photoshop
Assign Profile in Photoshop
In this Photoshop Lesson, we’ll learn about ‘Assign Profile in Photoshop‘. Assign Profile command is found under Edit menu in Photoshop. I would recommend reading the following lessons before this one:
My name is Lalit Adhikari and we are at LTY. Let’s begin!
Related Topics:
Assign Color Profile
Photoshop always uses currently selected RGB or CMYK working space that you have set up in your color settings as an assumption for what those numbers are associated with an untagged document.

For example: if you’ve opened an image which is in sRGB, it will be assumed that it is in Pro Photo RGB if the image is untagged. And that’s simply because you may have Pro Photo RGB selected in your RGB working spaces in my color settings.

And the assign profile command allows us to override that. It provides a new scale or proper tagging of your document so that you can preview it correctly.
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Don’t Color Manage This Document
Removes the existing profile from the document. Select this option only if you are sure that you do not want to color manage the document.
After removing the profile from a document, the appearance of colors is defined by the application’s working space profile.
Working (Color Model: Working Space)
Assigns the working space profile to the document.
Profile
Here we can select different profile for our use. The application assigns the new profile to the document without converting colors to the profile space. This may dramatically change the appearance of the colors as displayed on monitor.
Related Topics:
- Define Brush Preset in Photoshop
- Sky Replacement in Photoshop
- Auto-Blend Layers in Photoshop
- Auto-Align layers in Photoshop
- Transform command in Photoshop
The Power of Thinking
The Power of Thinking has become an over-expressed topic with time especially after the success of ‘The Secret‘.
You have already heard and read about the power of positive thinking through different books, blogs and even advertisements. Everyone is trying to capitalize over this topic and trying to present you with some commercial views.
I’ll try to present something different in the same topic of ‘The Power of Thinking’. It’ll a different viewpoint from the general perspective.
My name is Lalit Adhikari and we are at LTY. Let’s begin!
Remote Connections in Photoshop
In this Photoshop Lesson, we’ll learn about ‘Remote Connections in Photoshop‘. Remote connections command is found under Edit menu in Photoshop.
My name is Lalit Adhikari and we are at LTY. Let’s begin!
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What is Remote Connections in Photoshop
Enabling Remote Connections setting in Photoshop allows us to connect Adobe Express App on your phone to the desktop Adobe Photoshop. Hence, it can utilize the power of desktop Photoshop to apply Advance Effects on photos.
It was beautifully explained by Unmesh Dinda in the following video.
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Photoshop Remote Connections
To connect desktop Photoshop to Photoshop Express App:
- Launch Adobe Photoshop on your desktop
- Go to Edit > Remote Connections

The following dialog box will open up.

By default, the Enable Remote Connections option will not be checked. Compare the above screenshot with your settings. After that, we can use the Service Name as default or as per our choice. Then we should also change Password. Click OK.
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Points to Note
If you’re unable to connect to Photoshop through your Photoshop Express App:
- Ensure that both devices are connected to the same Wi-Fi network.
- The Photoshop version should be 16.0 or above. To check this:
- Launch Photoshop
- Go to Help > About Photoshop or in Mac, choose Photoshop > About Photoshop
- To update, go to Help > Updates in Photoshop
- Re-launch Photoshop Express App. Then tap Photoshop Effects icon in the bottom to reconnect.
- Ensure that Remote Connection is enabled in Photoshop.
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Connect to Photoshop from Photoshop Express App
- Launch Photoshop and connect your desktop and mobile to same Wi-Fi network.
- Open Photoshop Express App and then tap on the Photoshop Effects icon in the bottom panel.
- Tap on the effect you wish to apply.

- Photoshop will search for the available servers. Select the server in the second instruction screen.

- Enter the password you created in Photoshop, and you’re set to work with Photoshop Effects. The selected effect is then applied to your photo.

Related Topics:
Disable auto connect
To disable the auto-connect setting of Photoshop Express App to Photoshop, disable save password and auto-connect.
If you have already enabled auto connect, then go to App settings > Preferences > Reset Photoshop Connections, then click Yes.
Related Topics:
- Fill in Photoshop
- Find and Replace Text in Photoshop
- Check Spelling in Photoshop
- Search in Photoshop
- Fade Command in Edit menu in Photoshop
Presets in Photoshop
In this Photoshop Lesson, we’ll learn about ‘Presets in Photoshop’. Presets command in Photoshop is found under Edit menu in Photoshop.
My name is Lalit Adhikari and we are at LTY. Let’s begin!
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Presets command

Presets command under Edit menu in Photoshop has following three options:
- Preset Manager…
- Migrate Presets
- Export/Import Presets…
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Preset Manager

The Preset Manager allows us to save or load presets for Contours and Tools. Each set of presets has its own extention and default folder. All the optional preset files are available inside the Presets folder in Photoshop Application folder as shown below.

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Working with Preset Manager
The Preset Manager dialog box appear as shown below.

We can choose a specific Preset Type from the Preset Type menu in Preset Manager dialog box as shown below.

To have a clear visibility of presets, click on the settings icon and chose Large List option as shown below:

All display modes available are as follow:
- Text Only: Displays the name of each preset item.
- Small Thumbnail or Large Thumbnail: Displays a thumbnail of each preset item.
- Small List or Large List: Displays the name and thumbnail of each preset item.
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Delete Preset item
Preset items can be delete by anyone of the following ways:
- To delete a preset in the Preset Manager, select the preset and click Delete.

- Or simply, press and hold Alt key and click on the preset you want to delete.
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Restore Default Presets
If you have deleted a preset mistakently then use the Reset command to restore the default presets.

After that Photoshop will ask to replace current presets with default preset, Click OK.

Related Topics:
Rearranging presets
To rearrange your listed presets click and drag any item up or down in the list.

Related Topics:
- Fade Command in Edit menu in Photoshop
- How to enlarge an image in Photoshop
- Photoshop Gold Text Effect
Load Presets
To load presets with the Preset Manager, do one of the following:
- Click Load… select the preset file you want to add and click Open.

Now depending on Preset Type selected, a Load dialog box will open up as shown below.

Here, we will have to locate our *.SHC file to be loaded.
- To replace with a different set of presets, choose Replace [Preset Type] from the Settings icon as shown below.

Select the preset file you want to use and click Open.
Related Topics:
- 5 Type of Masks in Photoshop
- Step by Step guide for Retro 3D Movie Effect in Photoshop
- How to Add Falling Snow in Photoshop
Rename Preset item
First, select the preset item. Shift click to select multiple items.
Then click on the Rename button on the right as shown below.

Another way to rename a preset, if the Preset Manager is currently displaying presets as thumbnails, then we can double-click a preset icon and enter a New Name and click OK as shown below.

If the Preset Manager is currently displaying presets as a list or text only, then in this case, we can double-click a preset and enter the New Name inline and press Enter.

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Save Set
First, we need to select the preset items. We can either select all the presets or a subset of the current list.
Then click Save Set…, Choose a memorable location, enter a file name and click Save.
Preset can be saved anywhere. However, if we save to the appropriate Presets folder in the default preset location, the set will appear at the bottom of the panel menu after you restart Photoshop.
Related Topics:
Migrate Presets
Presets can be migrated from earlier versions of Photoshop into newer versions. Migrate Presets command, automatically migrate brushes, swatches, gradients, patterns and more.
- Choose Edit > Presets > Migrate Presets
- Click Yes when prompted to import presets from an earlier version of Photoshop
- Click OK
Related Topics:
- Feather in Photoshop
- Dual light effect
- Photoshop Channels
- Window menu in Photoshop
- View menu in Photoshop
Adobe PDF Presets in Photoshop
In this Photoshop Lesson, we’ll learn about ‘Adobe PDF Presets in Photoshop‘ and ‘Save as PDF dialog box’. Adobe PDF Presets command is found under Edit menu in Photoshop.
My name is Lalit Adhikari and we are at LTY. Let’s begin!
Related Topics:
Photoshop PDF Format
Photoshop PDF document can save Photoshop data such as Layer, Channels, Notes, Spot Color and even Color Modes like RGB, indexed-color, CMYK, Grayscale, Bitmap, Lab color and duotone.
If you are an advanced user, you can also make the document PDF/X complaint which is an essential step when you have to send your document to a large commercial press.
PDF/X stands for Portable Document Format Exchange. It is a subset of Adobe PDF that eliminates color, font and trapping variables which may cause printing problems.
You can also apply security options for restricting access of the PDF document.
PDF settings could also be saved as PDF preset for creating consistent Photoshop PDF files. These PDF preset and settings could be shared across Adobe applications like Photoshop, InDesign, Illustrator and Acrobat. PDF files could be edited using Photoshop, Illustrator or SodaPDF.
Related Topics:
Adobe PDF Presets

Adobe’s PDF presets are a group of settings which will affect the whole process of creating a PDF. Depending on how you are going to use the PDF, these settings are designed to balance the PDF’s file size with PDF’s quality.

Most predefined presets are shared across Adobe applications including InDesign, Illustrator, Photoshop and Acrobat.
A few of the presets are not available until we move them from the ‘Extras’ folder to the ‘Settings’ folder.

Always review your PDF settings periodically. These settings do not automatically revert to the default settings. Photoshop uses the last set of PDF settings defined or selected.
Related Topics:
High Quality Print
It creates PDFs for quality printing on desktop printers and proofing devices.
This preset uses PDF 1.4, downsamples color and grayscale images to 300 ppi and monochrome images to 1200 ppi, embeds subsets of all fonts, leaves color unchanged, and does not flatten transparency (for file types capable of transparency).
These PDFs can be opened in Acrobat 5.0 and Acrobat Reader 5.0 and later. In InDesign, this preset also creates tagged PDFs.
PDF/X-1a (2001 and 2003)
PDF/X-1a requires all fonts to be embedded, the appropriate marks and bleeds to be specified and color to appear as CMYK, spot colors or both.
Compliant files must contain information describing the printing condition for which they are prepared.
PDF files created with PDF/X-1a compliance can be opened in Acrobat 4.0 and Acrobat Reader 4.0 and later.
PDF/X-1a uses PDF 1.3, downsamples color and grayscale images to 300 ppi and monochrome images to 1200 ppi, embeds subsets of all fonts, creates untagged PDFs and flattens transparency using the High-Resolution setting.
Note: The PDF/X1-a:2003 and PDF/X-3 (2003) presets are placed on our computer during installation but are not available until you move them from the Extras folder to the Settings folder.
Related Topics:
PDF/X-3
This preset creates a PDF based on the ISO standard PDF/X-3:2002. The PDF created in this setting can be opened in Acrobat 4.0 and Acrobat Reader 4.0 or later.
PDF/X-4 (2008)
This preset creating ISO PDF/X-4:2008 files supports live transparency (transparency is not flattened) and ICC color management. PDF files exported with this preset are in PDF 1.4 format.
Images are downsampled and compressed and fonts are embedded in the same manner as with the PDF/X-1a and PDF/X-3 settings.
You can create PDF/X-4:2008-compliant PDF files directly from Creative Suite 4 and 5 components including Illustrator, InDesign, and Photoshop.
Acrobat 9 Pro provides facilities to validate and preflight PDF files for PDF/X-4:2008 compliance as well as convert non-PDF/X files to PDF/X-4:2008 if possible.
Adobe recommends PDF/X-4:2008 as the optimal PDF file format for reliable PDF print publishing workflows.
Related Topics:
Press Quality
Creates PDF files for high-quality print production (for example, for digital printing or for separations to an imagesetter or platesetter), but does not create files that are PDF/X-compliant.
In this case, the quality of the content is the highest consideration. The objective is to maintain all the information in a PDF file that a commercial printer or print service provider needs in order to print the document correctly.
This set of options uses PDF 1.4, converts colors to CMYK, downsamples color and grayscale images to 300 ppi and monochrome images to 1200 ppi, embeds subsets of all fonts, and preserves transparency (for file types capable of transparency).
These PDF files can be opened in Acrobat 5.0 and Acrobat Reader 5.0 and later.
Note: Before creating an Adobe PDF file to send to a commercial printer or print service provider, find out what the output resolution and other settings should be, or ask for a .joboptions file with the recommended settings. You might need to customize the Adobe PDF settings for a particular provider and then provide a .joboptions file of your own.
Smallest File Size
Creates PDF files for displaying on the web, an intranet, or for email distribution. This set of options uses compression, downsampling and a relatively low image resolution.
It converts all colors to sRGB and embeds fonts. It also optimizes files for byte serving.
For best results, avoid using this preset if you intend to print the PDF file.
Related Topics:
Save in Photoshop PDF format
To demonstrate different options while creating a PDF, I’ve selected the following image.

I’ll simply go to File > Save As

Choose Photoshop PDF from the format menu.

Photoshop may show a warning dialog box as shown below. It warns us that the setting we choose in the Save Adobe PDF dialog box can override our current settings in the Save As dialog box.
You can check the ‘Don’t show again’ checkbox, so it will not be shown again and click OK.

Following Save Adobe PDF dialog box will open up:

The first option is Adobe PDF Preset which we had already discussed above.
Then we have Standard menu and Compatibility menu. They specify the PDF/X compliance and the Acrobat version compatibility for the PDF document.
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- Photoshop Gold Text Effect
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What is PDF/X and PDF/A standards
Before we can go further in our discussion for Photoshop PDF, it is important to know a little about PDF/X and PDF/A.
PDF/X and PDF/A standards are defined by the ISO.
PDF/X standards apply to graphic content exchange; PDF/A standards apply to long-term archiving of electronic documents.
During PDF conversion, the file that is being processed is checked against the specified standard.
If the PDF will not meet the selected ISO standard, a message appears, asking you to choose between canceling the conversion or going ahead with the creation of a non-compliant file.
The most widely used standards for a print publishing workflow are several PDF/X formats: PDF/X-1a, PDF/X-3 and (in 2007) PDF/X-4.
The most widely used standards for PDF archiving are PDF/A-1a, and PDF/A-1b (for less stringent requirements).
For more information on PDF/X and PDF/A standards, see the ISO website.
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PDF compatibility levels
While creating a PDF, we need to decide which PDF version to use. Generally, if there’s no need for backward compatibility, we should use the most recent version. As the latest version will include all the newest features and functionality.
However, if you’re creating a document that will be distributed widely then consider choosing Acrobat 5.0 (PDF 1.4) or Acrobat 6.0 (PDF 1.5) to ensure all users can view and print it.
General options

On the left pane we have different options available for Adobe PDF starting with General options. Here we have the following options:
- Description: Displays the description from the selected preset and provides a place to edit the description. You can paste a description from the clipboard. If you edit the description of a preset, the word ‘(Modified)’ is added at the end of the preset name.
- Preserve Photoshop Editing Capabilities: Preserves Photoshop data in the PDF such as layers, alpha channels and spot colors. Photoshop PDF documents with this option can be opened in Photoshop later for changes.
- Embed Page Thumbnails: Creates a thumbnail image of artwork.
- Optimize for Fast Web View: Optimizes the PDF for faster viewing in a web browser.
- View PDF after saving: Opens the newly created PDF file in the default PDF viewing application.
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Compression options

Artworks while being saved in Adobe PDF, we can compress ‘Text’, ‘Line Art’ and Bitmap images could be compressed and downsampled. Depending on our settings chosen, compression and downsampling can significantly reduce the size of a PDF file with little or no loss of detail.
Downsampling

If our PDF file is meant to be used on the web, we should use downsampling to allow for higher compression. If its meant to be printed at high resolution, do not use downsampling. Select the Do Not Downsample option to disable all downsampling options.
Downsampling refers to decreasing the number of pixels in an image. To downsample images, choose an interpolation method:
- Average Downsampling
- Subsampling
- Bicubic Downsampling
After that enter the desired resolution (in pixels per inch). Then enter a resolution in the For Images Above box. All images with resolution above this threshold are downsampled.
The interpolation method we choose determines how pixels are deleted. Different downsampling methods available are discussed below:
- Average Downsampling To: Averages the pixels in a sample area and replaces the entire area with the average pixel color at the specified resolution. Average downsampling is the same as Bilinear resampling.
- Subsampling To: Chooses a pixel in the center of the sample area and replaces the entire area with that pixel color. Subsampling significantly reduces the conversion time compared with downsampling but results in images that are less smooth and continuous. Subsampling is the same as Nearest Neighbor resampling.
- Bicubic Downsampling To: Uses a weighted average to determine pixel color, which usually yields better results than the simple averaging method of downsampling. Bicubic is the slowest but most precise method, resulting in the smoothest gradations.
For full information on Interpolation methods, read our blog on ‘How to enlarge an image in Photoshop‘.
Compression

Here we will determine the type of compression to be used. They are as follow:
- ZIP compression: Works well on images with large areas of single colors or repeating patterns, and for black-and-white images that contain repeating patterns. ZIP compression is lossless.
- JPEG compression: Is suitable for grayscale or color images. JPEG compression is lossy, which means that it removes image data and may reduce image quality; however, it attempts to reduce file size with a minimal loss of information. Because JPEG compression eliminates data, it can achieve much smaller file sizes than ZIP compression.
- JPEG2000: Is the new international standard for the compression and packaging of image data. Like JPEG compression, JPEG2000 compression is suitable for grayscale or color images. It also provides additional advantages, such as progressive display and lossless compression not available with JPEG. JPEG2000 is only available if Acrobat 6 (PDF 1.5) or later is selected from the Compatibility menu.
Image Quality

It specifies the amount of compression to be applied. The options available under it depends on the method of compression chosen earlier.
For JPEG2000 compression, Photoshop provides Lossless, Maximum, High, Medium, Low, and Minimum options.
For JPEG compression, Photoshop provides Minimum, Low, Medium, High, and Maximum options.
For ZIP compression, Photoshop provides an 8-bit Image Quality option. The 8-bit Image Quality option is lossless; that is, data is not removed to reduce file size, so image quality is not affected.
Tile Size
Specifies the size of the tiles used in images with JPEG 2000 compression.
When low Image Quality values are used to optimize images smaller than 1024 x 1024 pixels, using the largest tile size produces better results.
In general, a tile size of 1024 is best for most images.
Lower tile sizes are generally used for images with small dimensions (for viewing on devices such as mobile phones).
Convert 16 Bit/Channel Image To 8 Bit/Channel
Converts 16-bits-per-channel images to 8-bits-per-channel images (selected by default).
ZIP is the only compression method available if the Convert 16 Bits option is unselected.
If the document’s Compatibility setting is Acrobat 5 (PDF 1.4) or earlier, the Convert 16 Bits option is unavailable, and images are automatically converted to 8 bits per channel.
For full information on Bit system in Photoshop, read our blog ‘Bit Depth‘.
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Output Options

Here, we can adjust the Color Management and PDF/X options for the Adobe PDF. Output options’ interaction changes depending on whether Color Management is on or off and which PDF standard is selected.
Color Conversion
Specifies how to represent color information in the Adobe PDF file. When you convert color objects to RGB or CMYK, also select a destination profile from the pop-up menu.
All spot color information is preserved during color conversion; only the process color equivalents convert to the designated color space.
It can have either of these two values:
- No Conversion: Preserves color data as is.
- Convert To Destination: Converts all colors to the profile selected for Destination. Whether the profile is included or not is determined by the Profile Inclusion Policy.
Destination
Describes the gamut of the final RGB or CMYK output device, such as your monitor or a SWOP standard.
Using this profile, Photoshop converts the document’s color information (defined by the source profile in the Working Spaces section of the Color Settings dialog box) to the color space of the target output device.
Profile Inclusion Policy
Determines whether a color profile is included in the file.
Output Intent Profile Name
Specifies the characterized printing condition for the document. An output intent profile is required for creating PDF/X-compliant files.
This menu is available only if a PDF/X standard (or preset) is selected in the Adobe PDF Options dialog box.
Output Condition
Describes the intended printing condition. This entry can be useful for the intended receiver of the PDF document.
Output Condition Identifier
A pointer to more information on the intended printing condition. The identifier is automatically entered for printing conditions that are included in the ICC registry.
Registry Name
Indicates the web address for more information on the registry. The URL is automatically entered for ICC registry names.
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Security option

A password protection can be added to limit not only who can open the file but also who can copy or extract contents, print the document and more.
There are two passwords which could be setup:
- Document Open Password
- Permissions Password
If we use any security restrictions in our file, we should set both passwords; otherwise, anyone who opens the file could remove the restrictions.
If a file is opened with a permissions password, the security restrictions are temporarily disabled.
The RC4 method of security from RSA Corporation is used to password-protect PDF files. Depending on the Compatibility setting (in the General category), the encryption level will be high or low.
Note: Adobe PDF presets don’t support passwords and security settings. If you select passwords and security settings in the Export Adobe PDF dialog box, and then click Save Preset, the passwords and security settings won’t be preserved.
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Summary

It shows the summary of all the setting chosen by us in the previous options.
At the bottom we have ‘Save Preset’ button to save the settings as a preset.
Lastly, click on the ‘Save PDF’ button to create PDF file.
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Purge in Photoshop
In this Photoshop Lesson, we’ll learn about ‘What is Purge in Photoshop‘. Purge command is found under Edit menu in Photoshop. This one of the methods used to delete Photoshop Caches.
My name is Lalit Adhikari and we are at LTY. Let’s begin!
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Purge command

Purge command is used to delete all the Photoshop memory off the RAM which includes Clipboard, Histories, All and Video Cache. These different options other than All, will delete the cache files related to that particular option.
- Clipboard: This will remove files stored by coping in photoshop.
- Histories: This will remove all the history associated with the file open in photoshop.
- All: This will delete all the cache files.
- Video Cache: This will remove all video related cache.
Manually clearing one or more of these, may recover RAM but may impact our work. We can’t revert our image to an earlier state.
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Define Custom Shape in Photoshop
In this Photoshop Lesson, we’ll learn about ‘Define Custom Shape command in Photoshop‘ and ‘How to create a custom shape in Photoshop’. Define Custom Shape command is available under Edit menu in Photoshop.
My name is Lalit Adhikari and we are at LTY. Let’s begin!
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Define Custom Shape in Photoshop
Here, we’ll learn how to create and save our own reusable custom shape in Photoshop. The reusable custom shape can be used through Custom Shape Tool in Photoshop.

After selecting Custom Shape Tool, we get multiple predefined custom shapes in the option bar. Our finished shape after saving, will end up here.

Custom Shape Tool allows us to place shapes in a cookie cutter fashion in our Photoshop Document. As shown in the image above, predefined Custom Shapes in Photoshop are divided in 4 groups:
- Wild Animals
- Leaf Trees
- Boats
- Flowers
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Basic Rule to Define Custom Shape
To Define a Custom Shape in Photoshop, you need to create a ‘Shape Layer’ or ‘Work Path’. It is my recommendation to have a bit of a knowledge about Vector and Raster. It will improve your understanding of this process.
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Steps to create Custom Shape in Photoshop
To create a custom shape in Photoshop, we can either directly create the shape using Pen Tool in Photoshop or we can use an image for reference. In this example, I’ll use the following emoticon image.

Step 1: Open the reference image in Photoshop
Open the image in Photoshop.

Step 2: Create Shape or Path
Now, we need to create either a shape layer of the image or path for our shape. This can be done in any one of the following two ways:
- Using Pen tool and creating shape or path.
- Creating selection and turning selection into path.
As per your expertise, you can choose any one of the above methods. Here, I’ll be showing both ways below.
Creating Path using Pen Tool
Select Pen tool and chose Path option in Option bar.

Then create the circular path around the emoticon.

Now, we need to create path for eyes and lips. These paths will be subtracted from our previous path of the emoticon. For this, we need to select ‘Subtract Front Shape’ in option bar as shown in image below.

Start creating paths for eyes and lips. It’ll automatically be subtracted from the current path. Final path will appear as shown below.

This is how we can create Path using Pen tool. Now, I’ll show you how to create a selection and then convert it into a path.
Creating selection for our image
I’ll use Magic Wand tool to select the yellow portion of the emoticon. The selection will look as shown below.

Then right click inside the selection and chose Make Work Path…

The following dialog box will open up. Here, the Tolerance controls the number of anchor point that will be created with our Path. I’ll keep it to 1.

The path created will be little bit rough, but it will give a good starting point to us.

We can use Pen Tool or Direct Selection Tool to edit the Path.

Now we have created path by both ways. Let’s get ahead.
Step 3: Define Custom Shape Command
After creating path using any of above method, we can go to Edit menu > Define Custom Shape…

It’ll open the following dialog box where we can name our shape as per our choice. I’ll be leaving it for default naming.

Then click OK. It’ll be saved in the Custom Shape Library of Photoshop.

Step 4: Testing our new saved Custom Shape
Create a New Document in Photoshop. Choose Custom Shape Tool and select our recently saved shape. Here’s the testing result.

As with any other shape, we can easily edit our shape from Properties Panel.

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Why should we Define Custom Shape in Photoshop
If we need any shape to be created repetitively in our Photoshop Documents, then we should save our custom shape with Define Custom Shape command in Photoshop.
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